korgn364

Qué tal gente! Antes que nada, muchas gracias a todos los que me hicieron Full User. De verdad! Ahora yendo al tema, hace poco vi que esta marca presentó 4 productos (dos teclados, un módulo de sonido análogo y un reproductor portátil). Se tratan de cuatro productos algo diferentes a lo que la marca nos tenía acostumbrados... Miren lo que tengo para presentarles! PS60: Aparentemente es el suplente del X50, sobre todo por su tamaño chico y también orientado al escenario. Aunque presenta un diseño diferente al del X50... INFO OFICIAL: Introduction Designed for the gigging – or soon to be gigging – musician, the affordable Korg PS60 delivers premium sounds and professional effects in an easy-to-use package. Heavy on hardware, the PS60\'s new dedicated performance controls keep all the needs of the performer close at hand. Product Highlights: Instant access to six essential sound categories – Piano, E-Piano, Organ, Strings, Brass, and Synth 440 impeccably voiced, ready-to-play, sounds created by Korg\'s renowned programmers Korg\'s latest EDS-i (Enhanced Definition Synthesis – integrated) sound technology Create and save up to 20 split and layered \"Performances\"– on the fly! Intuitive front panel layout with dedicated hardware controllers for frequently-used functions Nine dedicated knobs provide live control of the master modulation, reverb/delay, and EQ effects Free editing software allows the PS60 to run as a plug-in with your host DAW (AU, VST or RTAS) Great-feeling, responsive, semi-weighted 61-key Natural Touch keyboard A performance synthesizer like no other In designing the PS60, the needs of the on-stage musician remained front and center. Offering dedicated controls, an ample backlit display, and remarkable ease of use, the PS60 is a refreshing change. The intuitive, realtime controls – even the sounds themselves – were created with the performer in mind, and have been optimized for the unique challenges and immediacy of playing live. Lightweight, stylish and portable, the PS60 travels comfortably from home, to rehearsal, to center stage. The portability, ease of use, and hands-on interface make the PS60 the ideal instrument for the vocalist, guitarist, bass player, sax player – anyone who wishes to cover a few keyboard parts while expanding their audio arsenal. Keyboard: 61-key natural touch keyboard; Velocity sensing Modes: Performance, Performance Edit, Program Edit, Global SOUND ENGINE Synthesis: EDS-i (Enhanced Definition Synthesis - integrated) Polyphony: 120 voices (120 oscillators) max, single mode; 60 voices (60 oscillators) max, double mode * The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading. PCM: 49 MB (when calculated as 16-bit linear data), 136 multisamples (including 7 stereo) Programs: User Performances: 20 performances; 15 Preload User Programs: 512 Programs; 440 Preload Structure: OSC = OSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported; 4 velocity zones per oscillator, with switching, crossfades, and layers. Filters = Four types of filter routing (single, serial, parallel, 24 dB), Two multi-mode filters per voice (low pass, high pass, band pass, band reject Modulation = For each voice, two envelope generators (Filter & Amp); Two LFOs, two key, tracking generators (Filter & Amp); Two AMS mixers, In addition, pitch EG, common LFO, and two common key tracking generators Performances: 6 main timbres, 6 sub timbres; layer, split, and modifications to the program settings via the Tone parameters Master Keyboard functionality: Allows control of external MIDI devices Effects: Insert Effects: Five processors, stereo input/output, 63 effect types Master Effects: Two processors, stereo input/output, 4 effect types per processor Effects types EQ: One processor, stereo input/output (3 bands) Effects types: Total of 71 types (select from 63 types for insert effects, 4 types for master effect 1, and four types for master effect 2) Modulation: Dynamic modulation, tempo sync delay, LFO Audition Riff function: 383 audition riffs Controllers: Joystick: Joystick, LOCK button (Joystick lock function) Rotary speaker simulator: ORGAN SLOW/FAST button Performances: BANK, 1–5, STORE buttons Performance controls: Timbre selector (Timber ON button x 6, variation buttons x 12), EASY SETUP (6 knobs, EASY SETUP buttons (Volume, Pan, MOD send, REV/DLY send), SPLIT SETTING (SUB OFF/RECALL, LOWER, UPPER buttons), MODULATION (MODULATION button, RATE, DEPTH, FEEDBACK knobs), REVERB/DELAY (REVERB/DELAY button, RATE, DEPTH, FEEDBACK knobs), EQ (BASS, MID, TREBLE knobs) User Interface: Display: 16 character x 2 line LCD (with backlight) Mode: PERFORMANCE EDIT, PROGRAM EDIT, GLOBAL buttons Value Controllers: Value knob, cursor/value UP/DOWN buttons, EXIT button Other: OCTAVE DOWN, UP buttons, TRANSPOSE -, + buttons, VOLUME knob, display contrast Audio Outputs: OUTPUT, L/MONO, R: 6.3 mm monaural phone jack (unbalanced), Output impedance= 1.1kOhm stereo; 550Ohm mono (L/Mono only), Maximum level= +10.0 dBu (Standard), Load impedance 10kOhm or greater Headphones: 3.5 mm stereo mini-phone jack, Output impedance= 33Ohm, Maximum level= 35 + 35 mW @33Ohm load Control Inputs: DAMPER/PEDAL/SW jack x 1(half-damper supported); PEDAL/SW jack x 1 MIDI: IN, OUT USB: 1 USB (TYPE B), USB-MIDI interface Power: AC adapter power supply connector (DC 9V 1700mA), POWER switch Dimensions (W x D x H): 36.41\" x 11.45\" x 3.54\" Weight: 10.14 lbs Power Consumption: 6W Accessories: AC adapter, Easy start guide, Accessory disc (PS60 Parameter Guide (PDF), Owner’s Manual (PDF), PS60 USB-MIDI Setup Guide (PDF), KORG USB-MIDI driver, PS60 Editor/Plug-In Editor etc.) link: http://www.videos-star.com/watch.php?video=juMsK-uyiuQ&feature=related link: http://www.videos-star.com/watch.php?video=VUYoVlHl850&feature=related microSTATION: Así puse mi cara al ver que ese Workstation... tiene teclado de juguete!!!! Es el mismo motor de sonidos y la misma programación del PS60, pero con las teclitas se re fueron al carajo! Se re nota que quisieron hacer a la marca más accesible, llegando hasta en los chicos... Pero de cualquier forma, suena lindo. Bastante decente para tener teclas pendorchitas... Aunque tampoco esperen la calidad sonora del M50. En esta foto se aprecia el tamaño real del teclado. INFO OFICIAL: Designed to satisfy the beginning musician or the accomplished keyboardist, the microSTATION offers unprecedented portability, the stunning sound of Korg\'s EDS-i synth engine, phenomenal effects, plus new and easy-to-use sequencing tools. Audition riffs make finding just the right sound a breeze. Main features Lightweight, compact, and equipped with 61 mini-keys, the microSTATION travels easily and fits effortlessly into any home, stage, or studio workspace. EDS-i (Enhanced Definition Synthesis-integrated) sound engine delivers high-quality sound in the tradition of KORG\'s flagship synthesizers. Enjoy 480 outstanding, ready-to-use sounds – including keyboard sounds, synth sounds, drums, leads, basses, etc. Tweak, edit, create and save up to 512 sound Programs. 256 dynamic Combinations place different sounds on different areas of the keyboard, or layer multiple sounds together for exciting performances – right out of the box! Find the right sound fast with eight quickly accessible categories; hundreds of Audition Riffs allow you to preview each sound. A full General MIDI level 2 compatible soundset allows commercial and pre-made MIDI files to be played perfectly and instantly. Designed for comfort and accuracy, our 61-key Natural Touch Mini Keyboard is highly expressive and supports serious playing. Whether performing or composing, the on-board sequencer can be anything from an extra set of hands or a powerful drum machine up to a full-blown MIDI production suite. Loop Recording, Grid Sequencing, Dual Arpeggiators, Template songs, and Auto Song Setup features make it easy for anyone to achieve professional results. SD/SDHC card slot for convenient storage or your custom sounds and songs. USB Type-B connector offers a direct MIDI connection to your computer. Includes both stand-alone and plug-in microSTATION software for detailed sound editing on your computer; plug-in software is VST, AU, and RTAS compatible. link: http://www.videos-star.com/watch.php?video=ErNruJIVldI&feature=related MonoTron: es un módulo de sonidos controlado a cinta. Según información de la marca, tiene el filtrado de los viejos MS10 y MS20 (digo \"según\", porque no tengo muchos conocimientos de teclados análogos). Se destacan dichos filtros y el panel táctil, como así también su tamaño super reducido. INFO OFICIAL: Analog synthesis returns, in the legendary KORG tradition Korg is no newcomer to the joys of analog synthesis. Back in the 1970s, our astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg\'s analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg\'s Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg’s new monotron Analogue Ribbon Synthesizer!! Analog on the go! Powered by two alkaline AAA batteries, the compact monotron can be held in one hand. Although small enough to easily carry with you, the amazing monotron is packed with KORG\'s legendary analog technology, generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls have been streamlined as much as possible. The panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers. Product Highlights: Full-fledged, true analog synthesizer: VCO, VCF, LFO Inspiring, easy-to-play ribbon keyboard Intuitive, fun-to-tweak controls Features the same classic analog filter found in the legendary Korg MS-10 & MS-20 Filter any external source using the audio input jack LFO can modulate either pitch of filter cutoff LFO Rate knob features cool LED visual indicator. Battery operation and palmtop size equals true portability Internal speaker/headphone jack lets you enjoy the sound anywhere – alone or with friends! Ribbon controller keyboard offers easy expression Borrowing the enjoyment of performing with a simple touch from Korg\'s wildly popular KAOSS products, the monotron\'s ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide. 1VCO, 1VCF, 1LFO – Modular synthesis building blocks The monotron\'s circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. The monotron encourages exploration and experimentation, and provides the joy of sonic creativity that\'s at the heart of analog synthesis. The famous Korg filter The monotron uses the same highly acclaimed VCF circuit as KORG\'s classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance. Semi modular satisfaction Just as on the original MS-20, the monotron\'s filter can be \"patched into,\" allowing any external audio source to be processed by the monotron\'s filter. The input jack (AUX input) built into the monotron\'s compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a KAOSSILATOR, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects. Versatile LFO provides audio – and visual – excitement! You can switch the LFO to control either the oscillator pitch or the filter cutoff frequency. Both LFO Rate and LFO Intensity knobs are provided. As you turn the LFO Rate knob – featuring an embedded LED – the speed of the modulation effect and the speed of the blinking LED will change in tandem. Turning this knob can add another level of impact to the sound. Listen anywhere – alone or with friends A miniature speaker is built into the monotron. Along with the battery operation and compact size, this feature allows you to enjoy the monotron anywhere, at any time. The ultimate in compactness, this system brings you new possibilities for performance. There\'s also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system. link: http://www.videos-star.com/watch.php?video=dNNb18aFSQ4&feature=related MP10Pro: es una cruza entre un secuenciador MIDI, un MP3 (creo que MP4 también) y un sintetizador. Excelente para olvidarse de la compu o de la Notebook por un rato... INFO OFICIAL: Sound Engine: Enhanced Definition Synthesis (EDS) Polyphony: 118 Voices (Maximum) Memory: PCM: 128 MB (when calculated as 16-bit linear data) Hard Drive: 120 GB Internal Drive Sounds: 880 Total, including a Stereo Piano and GM Level 2 compatible Sounds (PA500 sound library) Effects: 11 total; 8 internal synthesis + 3 TC Helicon Vocal Processing effects MultiMedia Players: 2 Reverb + 2 Modulation FX + Per Track EQ MIDI Keyboard: 1 Reverb + 1 Modulation FX + Per Track EQ Microphone: 1 Reverb; Choir (Vocal Harmony effect) TC HELICON Vocal Processing: 1 Delay + 1 Compressor + 1 Equalizer Master FX: 10 FX Types Master EQ: Bass, Mid, Mid Freq, High Modes: Video; Mixer; Playlist; Library; Global; Media Interface: Panel features many illuminated and dedicated realtime controls Motorized 60mm Player Crossfader Master Output Level Stereo Meter 2 Song Activity Led Bar 1 HD Activity led - 2 Mic Input LEDs Display: Color 320 X 240 LCD Touch Screen Screen Saver Video Output to a larger monitor Medial Player: Lyric Display, Chord Display, Score Display MultiMedia Players: 2 Independent MIDI / MP3 Players (mid, mid+G, kar, xf, mp3 + lyrics, mp3+G) General MIDI level 2 (GM2), GS, XG Light Compatibility Easy Song Edit Library (Advanced Data Base, fully searchable by multiple parameters) iPod Detect Cue / Pre-Listen feature MP3 Playback: Pitch Shifting, Time Stretching, Advanced Vocal Remover Connections: Audio Outputs: L/Mono, R (1/4\", Unbalanced) Headphone Output: 1/4\" Stereo Jack Audio Inputs: Mic 1, Mic 2 (XLR, Balanced) MIDI: In, Out USB: Host (1, 2); Device (1); Power (1); PC Keyboard (1) Video Output: Video Composite; S-Video (NTSC; PAL) Pedals: Damper; Assignable Pedal / Footswitch with auto-detect AC Power: 12V DC Adapter Input Dimensions (W x D x H): Unit: 13.78\" x 10.24\" x 2.76\" Including Handle, Knobs, Extrusions: 16.26\" x 12.83\" x 3.62\" Weight: 6.61 Lbs. Accessories: Power Adapter Travel Bag Stereo Audio Cable (jack 1/4\" to RCA jack + RCA to 1/4\" Adaptors) The MP-10 Pro is the perfect musical companion for mobile entertainers, solo keyboardists, singers and amateur musicians. This revolutionary all-in-one product brings together MP3 playback, MIDI song play, vocal processing and more in one easy-to-use entertainment center. From performing as the consummate DJ, hosting a karaoke night, or even programming your own musical interludes as your band takes a break, the MP-10 Pro is ready to provide professional results with over-the-top extras, wherever and whenever you are. On board, you\'ll find Korg\'s powerful EDS sound engine, TC Helicon Voice Processor, a slew of on-board effects, a massive 120 GB hard drive, and two of our premium song players – each capable of playing MIDI or MP3 files. Thousands of files (MIDI or MP3) can be stored on the internal hard drive and cataloged for instant recall. These two independent players allow DJ-style mixing and crossfading - with a motorized 60mm crossfader - offering a real non-stop music experience in any environment. Product Highlights Dual Song Players capable of handling MP3 or Standard MIDI Files (SMF) Pre-listen function for cueing up one song as the other plays for non-stop entertainment Independent control of tempo (time stretch) and key transpose (pitch shift) MP3 Vocal remover for sing-along and Karaoke style performances TC Helicon Vocal Processor adds professional dynamic control, EQ and delay effects to any voice Built-in MIDI sound engine based on Korg’s acclaimed EDS technology Advanced song library (iTunes compatible) with multiple search parameters for quick look-up Illuminated interface with color touch screen display USB host & device ports for direct keyboard entry/operation and computer connection Internal 120 GB hard drive stores approximately 30,000 songs! Highly portable with built-in handle; travel bag included Reliable and easy to use, the MP-10 Pro\'s hardware interface is centered on Korg\'s huge color TouchView™ display. This intuitive design allows the MP-10 Pro to deliver a wealth of useful features that anyone can quickly understand and enjoy. A comprehensive set of connections provide the MP-10 Pro with maximum versatility. In addition to MIDI and USB connections, there are connections for a PC keyboard that makes naming and cataloging songs very efficient. Two XLR microphone inputs assure compatibility with nearly any mic. The video outputs (S-Video and Composite) allow karaoke style lyrics, chord changes, or even full scores to be displayed on an external video monitor. Add to that the assignable foot pedal control, headphone outputs, and Advanced Vocal Remover, and the MP-10 Pro rises to the top of its class. Les debo el video... Aclaro que todavía no llegaron a nuestra patria... Pero no faltará mucho tiempo para que arriben aquí. Es muy seguro que conocieron al nuevo Korg Wavedrum. Por si no es así, también paso a publicarlo: Wavedrum: es la resurección del clásico Wavedrum de los 90, pero con todo el poder de la generación actual de teclados! Es más pequeño que los Octapads de Roland, por darles un ejemplo. Pero presenta un diseño más osado y personal, como así también un generador de sonidos basado en modelado físico, tal cual como el Wavedrum clásico. Es muy original! Tanto por su sonido como por su diseño. Ideal para salir de lo común El Wavedrum actual El Wavedrum de 1994 INFO OFICIAL: Wavedrum – Unprecedented sound, response, and performance Sonically richer, programmable, and intensely sensitive, this 2nd generation Wavedrum is bursting with more than enough power and expression to create its own musical legend. The extreme dynamic range challenges the response of an acoustic instrument. Wavedrum responds instantly to any and all playing styles, from subtly-nuanced tapping and stroking to aggressive, rhythmic assaults. From traditional acoustic percussion instruments to unique sounds previously impossible to obtain, Wavedrum serves up an enticing treasure trove of sounds. With Wavedrum, you\'re always in control. Instruments that normally require special techniques to play, such as tabla, conga, etc., can be played with ease. Create your own unique performance style, filled with unparalleled levels of expression and originality. Built to travel, the compact and lightweight Wavedrum is ideal wherever your musical dreams take you – from casual playing through to a full-on recording session or a live concert performance. Open the door to new musical journeys The new Korg Wavedrum delivers inspiration and satisfaction to creative performers seeking new realms of expressiveness and sounds. Moving beyond traditional drum and percussion sounds, Wavedrum also provides totally new and unique sounds that are not available in the real world, and offers new ways of playing to achieve new levels of musical expression. Imagine changing the pitch randomly with each hit, or playing melodic phrases simply by choosing a musical scale and applying pressure to the head. Imagine no more, Wavedrum does it all. While opening new doors, Wavedrum is faithful to its roots. Traditional hand-drum techniques, such as adding pitch and tonal changes to a strike by pressing the head, have been previously unobtainable on an electronic instrument. No longer. Wavedrum can process and respond to these intimate performance gestures as no other instrument can. These same techniques provide a wealth of performance possibilities. For example, Wavedrum can produce sitar and tambura sounds at the same time. You can produce tambura sounds alone by hitting the head, adding the sitar sounds by applying pressure to the head before hitting it. Applying further pressure can change the pitch of the sitar within the selected scale. Only Wavedrum is able to offer such astounding versatility. Multiple sensors deliver previously unimaginable expressiveness Acoustic percussion instruments produce sound naturally, in direct response to a physical impact, be it gentle or abrupt. Wavedrum, although an electronic musical instrument, creates sound exactly the same way. The head and rim pickups are directly used as a sound source to be processed by the DSP (Digital Signal Processing) algorithms, and they also trigger the PCM sound engine. Together with the pressure sensor under the head, the Wavedrum responds to each and every subtle finger and hand motion (hitting, rubbing, scratching etc). as well as to the traditional hand drum techniques of open shot, slap shot, heel and toe, mute, etc. Of course, the Wavedrum responds not just to your hands, but to other playing materials as well, such as sticks, mallets, and brushes. The rim has two types of notches, small and large, and these can be used to elicit a tremolo-type effect by scratching with sticks, etc. Combining the rim sounds with the head sounds can create an even richer, more original performance. DSP synthesis and PCM samples combine for endless sonic exploration The Wavedrum contains 36 DSP algorithms to conjure an abundance of synthesis methods; analog, additive, non-linear, physical modeling, etc. Using these building blocks, you can create various instrument sounds, natural sounds, or purely synthetic sounds – in addition to Wavedrum’s own unique voice. The PCM sound engine – the other important part of Wavedrum\'s sound creation system – contains 200 sampled sounds; 100 for the head, and 100 for the rim, with velocity-switching capabilities. Certain algorithms allow you to combine a specific DSP method and a PCM instrument to the head, and assign a different combination to the rim. This method of controlling multiple sounds within a single program delivers a fantastic playing experience, rich in sound. In other algorithms, the velocity and tone of the strike are used to control the PCM sound, creating a responsive interaction that far surpasses any sample-playback device, one rivaling that of an acoustic instrument. Planet-wide percussion Wavedrum begins with a foundation of traditional pop/rock drum sounds such as snares, kick drums, tom toms, and more. Wavedrum also opens new vistas of sound, delivering a wealth of percussion sounds from many eras and cultures around the globe and throughout time. Ethnic percussion instruments, although seemingly simple in structure and performance, are capable of expressing the complex emotions of a culture. These include popular percussion instruments such as cajons, congas and tablas; metallic instruments such as cowbells, and triangles, along with rare ethnic percussion sounds. With Wavedrum, you have instant access to instruments such as the udu, a clay pod percussion instrument; the jegog, a bamboo gamelan marimba from the island of Bali; a talking drum from Africa, gongs, and many other instruments that often require special playing skills. Not strictly limited to percussion sounds, Wavedrum includes stringed instruments such as the sitar, koto, and berimbau as well. For every sound, Wavedrum adds its own new modes of expression, in addition to faithfully re-creating the original sounds. Enjoy 100 preset programs; create 100 programs that are all your own The 100 preset Wavedrum programs range from high-fidelity emulative drum and percussion sounds to a world of new and unique sounds. There are a range of parameters available for editing and tweaking to create new sounds to suit your own music or style of playing. In addition to making changes to pitch, decay time, loudness, reverb, delay, and curve (intensity) of the pressure sensor, you can completely alter the sound by, for example, changing the head material parameter from skin to metal. The combination of DSP and sampled sounds can also be changed to create totally new sounds from scratch. These new programs (up to 100) can be stored in the user area. The Wavedrum also has a Live Mode, which can store up to 12 favorite programs (from the preset or user programs) for selection instantaneously during performance. Jam-along functions for added fun Sure, you can enjoy the Wavedrum just by playing the sounds alone, but the dynamic and interactive Wavedrum adds some special features that provide jam-along abilities for fun or practice. Practice your paradiddles or simply wail away along to 100 loop phrases from various musical genres. Using the AUX input, you can mix in the signal from any audio source – CD, MP3 player, or even an additional Wavedrum. The options are endless. Ready, Set, Go Portable, compact, and lightweight, Wavedrum is ready for any musical outing. Hold Wavedrum on your lap, or play it standing like a hand drum. Place Wavedrum on an ordinary snare drum stand, or add Wavedrum to any electronic or acoustic drum kit. Use Wavedrum as part of a DJ set-up, or add a percussive element to your keyboard rig. Wavedrum is the ideal accent for any vocalist or front person. Using the headphone output allows you to practice in private, anytime, anyplace – without fretting about the neighbors! Synthesis: DSP + PCM Combination DSP Algorithms: 36 Total PCM Instruments: 200 Total; 100 Head, 100 Rim Programs: 200 Total; 100 Preset, 100 User Loop Phrases: 100 Total; Various genres and tempos Effects: Reverb, Delay Panel Controls: Volume, Bank/Mode/Page select, Program/Parameter select, Value control, Write Input/Output jacks: Output: L, R ¼\" unbalanced Phones: Stereo mini phone jack AUX IN: Stereo mini phone jack Display: 3-character 7-segment LED Sampling frequency: 48 kHz A/D, D/A conversion: 24 bit Power supply: DC9V 1.7A Dimensions: W x D x H: 13.74\" x 13.54\" x 2.95\" Weight: 4.41 lbs. Included items: AC Adapter, Tuning key, Allen wrench link: http://www.videos-star.com/watch.php?video=RhtmLl7BuX0 Al igual que el Korg X50, el Wavedrum tiene una buena relación calidad-precio, y más si consideramos que en realidad es un sintetizador de percusión y que su propuesta es sumamente original. Precio: U$D 700 (alrededor de 2800 pesos) Habrá que acostumbrarse a los nuevos productos (exceptuando al Wavedrum)... Saludos a todos! Gracias a todos los que me hicieron Full User una vez más! Fuente: www.korg.com

Hola gente! Hoy les traigo una breve reseña de aquel triste acontecimiento que ocurrió en Santiago del Estero en 1993. Realmente, da muchísima bronca cómo los gobernantes son capaces de hacer todo, menos gobernar honestamente... en especial aquellos de la época de los 90... Tristísimo! Mejor vean ustedes, y opinen! link: http://www.videos-star.com/watch.php?video=HAw3JnOOFCs link: http://www.videos-star.com/watch.php?video=RbKu_rv6CkQ&feature=related link: http://www.videos-star.com/watch.php?video=tzl2Jnlm2Uc&feature=related link: http://www.videos-star.com/watch.php?video=Q2u2FQ-C3ys&feature=related INFO: La última intervención federal a la provincia de Santiago del Estero fue decidida por el ex presidente Carlos Menem un día después de que los santiagueños incendiaran los edificios de los tres poderes provinciales y las casas de los principales dirigentes justicialistas, como respuesta desesperada a una crisis económica extrema. El "Santiagueñazo" se desató el 16 de diciembre de 1993 y sin demora, al día siguiente, el presidente Menem firmaba el decreto que ponía en funciones como interventor federal al por entonces cavallista Juan Schearetti, hoy vicegobernador de Córdoba. El interventor responsabilizó del estallido social a las "administraciones anteriores sumidas en una crisis moral y ética" y prometió investigar la corrupción. Sus principales anuncios fueron el pago de 500 y 300 pesos a empleados estatales y jubilados, respectivamente, a cuenta de las abultadas deudas salariales que tenía la provincia y que en parte produjeron el estallido social. El 19 de diciembre, asumieron los nuevos miembros del Superior Tribunal de Justicia y comenzó el pago de los adelantos con largas colas vigiladas por tropas de gendarmería. La intervención federal estuvo integrada por funcionarios del equipo del por entonces ministro de Economía, Domingo Felipe Cavallo, quienes con dinero fresco del estado Nacional comenzaron a normalizar las cuentas de la provincia. La gestión de Schearetti se prolongó 18 meses y a su término, el caudillo peronista Carlos Juárez ganó las elecciones por amplia mayoría pese al antecedente de haber sido un gobierno justicialista el que provocó una crisis social, económica y política sin igual en la historia de la provincia. INFO Telefe Noticias: A comienzos del mes de diciembre de 1993, el fin del gobierno de Carlos Mujica en la provincia de Santiago del Estero era inminente. La protesta del pueblo santiagueño ante el cúmulo de problemas irresueltos crecía en tono y ánimo. La inmediata consecuencia de todo esa crisis fue solicitar desde el Gobierno Nacional la renuncia de Mujica, para que asumiera en su lugar el vicegobernador Fernando Lobo. El desprestigio del gobierno santiagueño había cobrado una dimensión nacional imposible de revertir. En la provincia, Mujica enfrentaba pedidos de juicio político. La situación económica se complicaba cada vez más. Los giros coparticipables se desviaban para pagar los intereses de los créditos contraídos. Los fondos del entonces Banco de la Provincia se habían agotado en un verdadero festival de préstamos incobrables y en maniobras fraudulentas de arrastre, y los ingresos en concepto de adelantos enviados por la Nación eran incautados, no bien llegaban, para atender los compromisos con las entidades financieras privadas. El Ministerio de Economía de la Nación ya no quería enviar nuevas remesas de dinero. Luego de un encuentro con el ministro del Interior Carlos Ruckauf, Mujica regresó a Santiago y se reunió con el vicegobernador Fernando Lobo a quien le entregó la renuncia para que éste la anunciara públicamente. En silencio, sin decir una palabra, se retiró del lugar del encuentro. Su función al frente del Poder Ejecutivo había terminado. La asunción de Fernando Martín Lobo, un mes antes del estallido social, si abrió expectativas alentadoras, éstas no tardaron en desvanecerse. Sus días como gobernador estaban contados, básicamente por no producir cambios sustanciales y por colocar para conducir el área económica, precisamente, al ex ministro de Mujica, Aizar Antonio Assefh, lo que fue visto como un retorno al pasado inmediato, que no se quería repetir. Por otra parte, el Gobierno Nacional exigió la aplicación de la Ley Omnibus, pensando que así se podrían corregir desajustes. En su artículo duodécimo, la ley establecía: “Declárase en disponibilidad a todo el personal del Estado Provincial” y “el cese inmediato de todo el personal que no haya alcanzado a la fecha de la presente, un año de antigüedad desde el momento de su designación”. El pueblo reaccionó con mayor virulencia a la demostrada en manifestaciones anteriores, convencido de que se trataba de una salida traumática que perjudicaría enormemente a los empleados públicos, entendiendo que estaban sentenciados al despido masivo por culpa de las malas administraciones corrompidas. Por otra parte, existían claros indicios que hacían presumir que Lobo había sido abandonado a su suerte desde las altas esferas del Gobierno Nacional. Lobo, cercado por la embestida de las manifestaciones públicas, e incapaz de encontrar una salida a la grave situación, ordenó no reprimir a los manifestantes y optó por abandonar la sede del gobierno junto a sus ministros, en un camión de los Bomberos Voluntarios. El "Santiagueñazo" se desató el 16 de diciembre de 1993 y sin demora, al día siguiente, el presidente Menem firmaba el decreto que ponía en funciones como interventor federal al por entonces cavallista Juan Schiaretti. El interventor responsabilizó del estallido social a las "administraciones anteriores sumidas en una crisis moral y ética" y prometió investigar la corrupción. Sus principales anuncios fueron el pago de 500 y 300 pesos a empleados estatales y jubilados, respectivamente, a cuenta de las abultadas deudas salariales que tenía la provincia y que en parte produjeron el estallido social. El 19 de diciembre, asumieron los nuevos miembros del Superior Tribunal de Justicia y comenzó el pago de los adelantos con largas colas vigiladas por tropas de Gendarmería. La intervención federal estuvo integrada por funcionarios del equipo del por entonces ministro de Economía, Domingo Felipe Cavallo, quienes con dinero fresco del Estado Nacional comenzaron a normalizar las cuentas de la provincia. FUENTE: www.eldia.com.ar http://www.telefenoticias.com.ar/content/a-16-anos-del-santiaguenazo-.html (hay un video muy interesante ahí, pero no lo pude poner en el Post) Para terminar, hoy por hoy hay comunidades aquí en Taringa, en Facebook y en varias partes más que siempre dicen "A que junto 100.000 personas que odian a la Cristina Kirchner", y cosas así. Muchachos... si bien el país está atravesando un momento muy salado, tampoco es tan complicado como fue en los 90... OJO, NO estoy a favor de los Kirchner ni de Zamora, pero tampoco de las lacras que nos hundieron en esa década y en el 2001 (Menem, Cavallo, De la Rúa...), y aquí en Santiago del Estero... las peores lacras: los Juarez... Y pensar que hay muchos que con tal de deshacerse de Zamora, tildan a los Juarez como capos!!!! Éste es uno de los miles de documentos que demuestran que, pese a miles de cosas, hoy por hoy estamos mejor que en los 90. Pese a que nadie esté de acuerdo con lo que digo y que los medios siempre informen lo contrario (en el diario El Liberal a cada rato lo entrevistan a Cavallo, y éste culiao habla como si fuera un angelito!!! Hecho el que no hizo nada malo...). En fin... es otro aporte humilde de mi parte. Espero que les guste, y que la menos haya un poco de gente que vea un poco más allá de lo que informen Clarín, El Liberal, La Nación, etc... Saludos a todos!